The final week of shooting can be broken down quite simply into one long, potentially trying shot and a bunch of pick ups form through out the film. The long shot also involves a movign camera and was used to cerate a close up pan of the beach which shows the devestashion after the exploshion. The moving camera was created using the arm of a rostrum clamped on its side to the desk and the hand cracked a serton number of notches between each shot. This makes up the longest and one of the last shots in the film. I don't want to reveal the endign of the film to much but can say, I kept the pan quite simple as verry little moves whalst the cameras was panning, and the settled and long of the camera when we come face to face with the bortehr once again. Who by this poitn where glued to the set to reduce un wnated movement but also as theye wern't going to be needed for any other shots after. We created the burn effect on thr objects with charchol. The rest of the shots where predometly thing flying thoguh the ares, pick ups from previous shots, mostly for continuety.
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DescriptionThis is a space for development work of my grad film BORIS-NORIS. A slap stick stop-motion film about NOT sharing. Archives
July 2018
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